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On Aug. 20 it was announced that Spider-Man would be leaving the Marvel Cinematic Universe and would return to being fully produced by Sony Pictures, this is when the nightmare started.

After a month of despair, on Sept. 28, I woke up from what felt like a bad dream.

The reenactment of the web-slinging war for the franchise.

Variety has reported that Spider-Man will remain in the MCU for at least his next solo film, being released on July 16, 2021, and a future marvel film.

For a brief history lesson, Spider-Man is owned by Sony (another history lesson for another day).

In 2015, Disney and Sony came to an agreement for Spider-Man to join the MCU in a co-producer partnership between the two companies.

Spider-Man would be featured in three team-up MCU movies and two solo films that would be creatively lead by Marvel Studios President, Kevin Feige (In Feige We Trust).

Sony would monetarily produce the Spider-Man movies, and Disney would receive a modest five percent of first-dollar gross, as well as all merchandising revenue.

After three spectacular years of Spider-Man swinging around with the likes of Iron Man and Captain America, the initial deal between the two juggernaut companies was over and despite universal optimism, the deal seemed to be over, leaving thousands of MCU and Spider-Man fans alike distraught and heartbroken.

During negotiations for a new deal between Disney and Sony, it was reported initially by the Hollywood Reporter that Disney wanted more compensation for their work done in the solo Spider-Man films.

The initial reports stated that Disney wanted to split the cost and revenue 50/50 with Sony and that’s where talks stalled out.

Now I have a few thoughts on this dispute and what it felt like as a fan. It felt like complete garbage.

It always hurts when you get drastically reminded that money is everything and creativity and pleasing the paying fans is just an afterthought.

Spoiler warning ahead for Spider-Man: Far From Home and Avengers Endgame.

During this “nightmare” period I kept questioning everything thinking “Why would they set Spider-Man up to be the next Iron Man if they knew there was even a possibility that he could leave after the deal expired?”

It just made no sense that Feige and Marvel Studios would make him such an intricate part of the future of the MCU if there was even the slightest possibility of them losing him in the blink of an eye.

Obviously now that a deal has been made I can out those questions to rest.

I like to think that the incredible backlash from fans and even MCU actors like Jeremy Renner had a part in them finally striking a second deal.

This second deal is fundamentally different in structure and length. The new deal is just for two movies, as I previously mentioned, and this time Disney will receive 25 percent of the revenue, contribute roughly a quarter of the finances and keep their merchandising rights.

So who cracked? From this report, it seems like Disney did to some extent. Going to 50 percent to 25 percent is a difference of hundreds of millions of dollars.

Disney had every right to ask for significantly more compensation and financial stock in the character.

Spider-Man: Far From Home was the highest-grossing film in Sony Pictures history, raking in $1.1 billion worldwide.

This success, one could argue, is in large part because of Spider-Man’s integration into the MCU and making him more relevant than ever.

Disney knew that and wanted more.

Sony knew that and wanted Feige and the MCU. Nerdtastic rant time.

I can’t express how happy I was to hear that Tom Holland and SpiderMan wouldn’t be leaving the MCU.

I no longer have to curse the name of Sony and Disney, pretend like I’m interested in a Venom sequel or a Morbius film, want to cry thinking about how good the MCU could have been if he stayed or act as if the MCU would be fine going forward. All that is put to rest, and just as Tony Stark, I can rest now.

But not actually because this is only a two-movie deal and Feige when talking on the new deal said, “[Spider-Man] also happens to be the only hero with the superpower to cross cinematic universes, so as Sony continues to develop their own Spidey-verse you never know what surprises the future might hold.”

Could this new deal take a page of the Spider-Woman (Gwen Stacy) comics where her home universe is Earth-65 but she goes to Earth-616 to fight along with the likes of Peter Parker and Miles Morales frequently?

In this case, the MCU could be Spider-Man’s version of Earth-65 and a Sony “Spidey-verse” featuring Venom would be like Earth-616.

Are you seriously still reading this sweating piece of nerd juice?

Anyway, this is a time to celebrate, Spidey is back where he belongs (for now) and all is right with the world.

Captain Marvel delivered action, humor and heartfelt storytelling that can be enjoyed by hardcore Marvel fans, as well as people new to the Marvel Cinematic Universe.

Something Anna Boden and Ryan Fleck, Captain Marvel’s directors and screenwriters, achieved better than previous Marvel creators was the balance between humor and seriousness.

While this certainly wasn’t the most serious Marvel movie ever created, it also wasn’t as lighthearted as movies such as Ant-Man or Thor: Ragnarok.

The balance of tension and humor made it a funny and emotional watch without it feeling too heavy.

Additionally, the events in Captain Marvel tied in perfectly with last spring’s blockbuster, Avengers: Infinity War, filling in some of the gaps and setting things up for the next Avengers movie.

However, it never felt like the movie was made just to explain Infinity War or the upcoming movie, Avengers: Endgame; it could stand on its own as a great movie.

As the movie was set in 1995, directors brought in a mix of new and old characters.

Brie Larson played Carol Danvers, otherwise known throughout the film as Vers and Captain Marvel.

As both a no-nonsense and quick-witted character, Larson’s character was a refreshing take on superheros and was more balanced than others have been in the past.

Her training taught her to be tough and efficient during fights, but her sarcastic personality came through in everyday situations.

While Larson’s character was definitely the central focus, the supporting characters were dynamic and added both humor and emotion.

Samuel L. Jackson reprised his role as a Shield Agent, Nick Fury.

There was a younger, dorky quality to his character that made him more relatable than in previous movies and broke the tension in serious moments.

His relationship with Goose, a cat that joins him and Danvers for most of the movie, was unexpected and hilarious.

Maria Rambeau (Lashana Lynch), Danvers’ best friend from the Air Force, added emotional interest to Danvers’ backstory and stood on her own as a dynamic character.

The bond she shared with Danvers was strong and connected the viewer to her immediately.

Additionally, Rambeau’s relationship with her daughter was sweet and help round out her character.

A character with an interesting arc was Talos (Ben Mendelsohn), the leader of a group of aliens called Skrulls who invaded Earth.

His character development was unexpected and a refreshing twist on typical villains. Yon-Rogg (Jude Law) was a tough mentor for Danvers.

While his character arc wasn’t particularly original, it fit the story well and led to an exciting conclusion.

The music throughout the film added to the story.

The score, composed by Pinar Toprak, helped add tension and emotion without becoming a distraction.

Additionally, the use of songs from the 90’s helped make the movie feel more realistic and added a fun element to certain scenes.

The visuals were fairly good.

Most of the movie takes place on Earth, although a portion of it takes place in outer space and on another planet.

There weren’t any moments where the CGI was glaringly obvious, though if you paid attention, you might have noticed it a few times.

The costuming for the Skrulls could have been slightly more well-polished; there were several times when the costume was distracting when it should have fitted seamlessly with the character.

Overall, Captain Marvel was a fresh spin on typical Marvel tropes and created a great original movie with the MCU’s first female lead.

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